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In this article I examine the relationship between Arthur Danto's philosophy of art and his practice of art criticism. Danto has said that he included many actual examples of discussions of art in The...
Rembrandt, A Canal with a Rowing Boat, pen and ink drawing.This image is used with the permission of Chatsworth Photo Library. Any form of reproduction, transmission, performance, display, rental, le...
Does Sad Music Make One Sad? An Ethnographic Perspective
negative emotions and music arousal theory sadness in music
2008/11/7
The question of the presence and role of negative emotions in the experience of music Does sad music make one sad? has been recognized as a key to understanding much musical experience, especially i...
DON'T DELETE!!!The Introduction to A Symposium on Pictorial Realism
pictorial realism depiction style cognition perception
2008/11/7
The participants in this Symposium gathered for a two-day conference on Pictorial Realism at the University of Adelaide. Our aim was to analyse the notion of pictorial realism with a view to its rele...
Gesture, Pulsion, Grain: Barthes' Musical Semiology
Barthes erotics of music gesture grain Kristeva pulsion
2008/11/7
Although Barthes is perhaps best known as a semiotician, he is paradoxically always in search of precisely that which defies the constraints of language, whether art, signs or, in fact, language itsel...
Immersive Contemplation in Video Art Environments
immersive contemplation proprioceptive immersion video environments
2008/11/7
This essay examines a form of video art -- what is called a "video environment" -- that calls upon as much as it departs from familiar conventions that are bound up in museum display. I argue that t...
Implied World Views in Pictures: Reflections from a Cognitive Psychological and Anthropological Point of View
aesthetics anthropology art history
2008/11/7
In traditional art history, iconological attempts to analyze visual works of art by treating their formal and semantic features as symptoms of more general, implied world views or cultures have occurr...
Interrupting Dantos Farewell Party Arrangements: Comments for Grigoriev
Danto Margolis ontology of art philosophical method
2008/11/6
This paper is a response to Serge Grigoriev's article "Living Art, Defining Value: Artworks and Mere Real Things" (Contemporary Aesthetics Volume 3, 2005) in which he develops Joseph Margolis' provoca...
Kinetic Synaesthesia: Experiencing Dance in Multimedia Scenographies
dance video projections moving images kinesthesis
2008/11/6
The contrasting kinetic values between dancer and projected moving image in multimedia scenographies provide the viewer with a particular type of synaesthetic experience. It results from the interacti...
Living Art, Defining Value: Artworks and Mere Real Things
artwork commodity contextualism empiricism intersubjective value
2008/11/6
In this essay I examine the conceptual difficulties generated by drawing a distinction between artworks and mere real things. I argue that the distinction is an unfortunate one, requiring for its op...
'Man Has Always Danced': Forays into the Origins of an Art Largely Forgotten by Philosophers
courtship displays kinetic semantics qualitative structure of movement
2008/11/6
Philosophers have had comparatively little to say of the art of dance, a surprising fact given the range of people both inside and outside of dance who have claimed that 'man has always danced.' This ...
In this article, we want to show the relevance and importance of melancholy as an aesthetic emotion. Melancholy often plays a role in our encounters with art works, and it is also present in some of o...
Mobility: The Fourth Dimension in the Fine Arts and Architecture
architecture fine arts mobility modern
2008/11/6
Mobility is a basic behavioural pattern of human beings that has been accelerating in the course of its social development. Especially since the beginnings of the industrial revolution, mobility has c...
Movement and Participation: Journeys within Everyday Environments
movement participation narrative site-specific art
2008/11/6
Motion is an elementary part of our everyday life; it determines our perception and appropriation of environmental features. We are immersed in the world while on foot, grounding awareness of the thre...
There are two major factors responsible for the way contemporary cities look the way they do. One is the ever-increasing volume of traffic, and the other is the present commercial culture which manife...